How bad do you want it?

Though this is a blog about photography, “how bad do you want it” is a question that applies to just about anything and everything, but I digress…

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Austin, Texas under a clear starry night. This shot made it all worth it.

You may be thinking, Jason, what the hell are you talking about… well. “How bad do you want it” is a question I ask myself just about every Friday before my head hits the pillow. For those of you who don’t know, much like many many other landscape photographers, I have an “adult” job. Not adult like an adult film star or anything, but a full-time job that has nothing to do with photography.

After working over 40 hours a week, at times away from my lovely wife and all the comforts of home for several days, there is nothing more I would rather do than sleep in, relax and marathon Walter White as he Breaks Bad. So,  I have to ask myself, “how bad do you want it“? And for me, “it” is that one banger shot that makes you smile when it pops up on the back of the camera after hearing the shutter click. It could be vivid colors of the Milkey Way arching over Enchanted Rock or a beautiful smile beneath piercing eyes in dramatic black & white.

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The beautiful Austin, Texas skyline from the boardwalk along Lake LBJ.

Being a photographer in a digital world is, in many ways, so much easier than it was when I started shooting film. In an instant after freezing time, you can know if you captured your vision. The leaps in technology have, for sure, brought with it benefits that I can’t imagine living without. However… with all those wonderful leaps forward there is bound to be an equal and opposite reaction, according to some guy that goes by the name Issac.

Social media is without a doubt a huge part of what I do as a photographer, as it is with just about every business these days. It is still possible to do well without social media, but when you can reach 100K plus people with one banger image, well,  that’s a large audience and you would have to be a little crazy to pass that up. But,  with social media, there is a constant pressure to produce great content. That could be a single image, a video, tutorial, or a blog post like this one. And, contrary to what some people think, pumping out content and posts that will actually catch the attention of an audience is a large dedication of time not to mention a lot of work.

My office for the night

One Friday night, a few weeks ago, after a very busy week at my “real” job, I had to ask myself “how bad do you want it“? The weather forecast that night called for zero clouds, which can be great if you’re into shooting nightscapes like I am. It also called for temperatures in the upper 30’s. I know what you’re thinking, upper 30’s isn’t cold. Well if you live in Central Texas and are going to be standing lakeside on a breezy night, its cold.

For several weeks that I had been waiting for a clear night on a weekend so I could get what I hoped would be Star Trails above the Austin, Texas skyline. But that meant waking up at 3:30am, driving for over an hour, walking for about a mile with 38 pounds of camera equipment on my back, just to stand in 39° temperatures for several hours. Gotta want it pretty bad to go through all of that after the week I had.

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This is a combination of 24, 2-minute exposures. There are very faint star trails in the upper right corner showing the rotation of the earth.

So it was cold… really cold… But I think I mentioned that. My fingertips and toes were numb and the filters I was trying to use kept getting condensation on them, which really sucked because it ruined the shot I wanted so much. Originally I had a grand plan of making a video out of the trip with some great aerial B-role as the sun broke the horizon and illuminated downtown Austin. Though I did piece together the video below, there isn’t any epic drone. I couldn’t feel my fingers by the time the sun started to rise. Sometimes things just don’t go as planned. But, the video doesn’t do it justice and I loved every minute of it.

So, that brings us full circle. How bad do you want it? What are you willing to do to get the thing you want most? Next time you think you would rather sleep in or not get out and make it happen, ask yourself that.

If you like this, be sure to Like me on Facebook, Follow me on Instagram, and Subscribe on YouTube. There are links below Thank you for your support.

 

The Challenges​ of Hamilton Pool.

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Hamilton Pool. If you’ve never heard of it, it is entirely possible that you have seen it online and said to yourself “I wanna go there”. Over the past several years there have been many travel blogs, articles, and images that have gone viral online showing the beauty of this hidden gem tucked away in the Texas Hill Country.

This isn’t one of those blogs though. Hamilton Pool Preserve is one of the most challenging places I have ever photographed and wanted to pass along why that is and what to expect if you plan a trip to this spectacular location.

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First, a little bit about Hamilton Pool. Located in Dripping Springs, Texas just Southwest of Austin, the preserve’s pool and grotto were formed when the dome of an underground river collapsed over a thousand years ago. After a short hike down a rocky and steep path, you will find a creek accented with some of the most beautiful trees in the area. Following the creek upstream will bring you to the pool, and you will know when you’re getting close when you hear the relaxing sound of the 50-foot waterfall that feeds into the once hidden oasis. It is really a breathtaking spot to see.

 

So, let’s go over a few things you need to know if you’re planning a visit. One of the most important things you need to do is make a reservation… Yes, you heard right. Over the years, the number of people that visit the pool has become overwhelming for the park. To solve this, you are now required to make a reservation, which costs about $10.00. You will still need to pay the entrance fee at the park. The details can be found HERE on their webpage.

Just because you have a reservation doesn’t mean that there won’t be anyone else at the park while you are there. Personally, I like to go as soon as the park opens and during the week in hopes that I will get 30 minutes all alone before people start showing up.

Next, if you are hoping to take a dip in the beautiful water while you are there, check the site above first. Due to high bacteria in the water at times, the park will often restrict swimming.

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Now, here are a few things you need to know and consider from a photography standpoint. The reason I mentioned that Hamilton Pool is so difficult to photograph has nothing to do with the reservations or getting there. It would seem that being such an Epic looking location, it would be hard to take a bad picture, but it is just the opposite.

The “grotto” of the pool is pretty much a cavern, which does let light in but is still very dark. Due to the park hours, the earliest you can get there and latest you can stay, the sun will be out, and even on cloudy days like in these images, there is a huge difference in the range between the shadows and the highlights. For those of you that don’t know, this is the Dynamic Range.

So, a normal person’s eye can see about 20 “stops” of light. Consider this to be like a volume slider, 1 being the darkness of the cave and 20 being the brightness of the sky. The image processing sensor on a high-end camera can only capture a range of about 15 stops of light though. So, roughly 25% of the scene you think you are getting is lost. Dynamic range

This means that what you are seeing with your naked eye when you look at the awe-inspiring dome of Hamilton Pool has a lot more detail and range than your camera can capture. So, there are a few options…you can pick between losing the detail in the shadows and properly exposing for the bright reflections of the sky in the water, you can keep the detail and texture of the huge fallen chunks of rock but blow out and lose all the detail in the sky… or, you can find another way of dealing with it and capturing both.

My choice for the location was to “bracket” the images and then merge them in Photoshop allowing both the beautiful highlights and the rich detailed shadows to show in the final image. Bracketing is when you take 2 or more images of the same scene but at different exposure levels. Normally I will shoot three, one properly exposed image, one underexposed, and one overexposed. This is also known as an HDR (High Dynamic Range) image on most mobile phones.

 

Once the images have been processed and merged together in Photoshop, you will get the HDR image that will hopefully have the full dynamic range of what your eyes saw.  Below is what I walked away with.

Rainy Hamilton Pool -105-HDR-Edit-EditThere are a few things to keep in mind when bracketing for an HRD image. Your camera may already have this feature that will automatically combine the images into one. I do have that option but prefer to take the images separately and merge them myself. This gives me more control over the final image. It is more work but I think the finished product is better.

You may have heard me say how important I think a tripod is when shooting landscape photography. Well, it is even more so in this situation. You will most likely be dealing with at least one longer exposure where camera shake can really become a problem but keep in mind that all three images have to line up if you want sharp focus in the final image.

In the end, Hamilton Pool is a very challenging place to photograph. On one trip I walked away with ZERO images that I liked. All that being said, and after all the work, I would highly recommend planning a trip. Even if you don’t take a camera, it is an incredible place that gives you the feeling of stepping through a portal straight into Middle Earth. Below is a “behind the scenes” video of my last trip.

Post Processing…

Do you edit your images? I get that questions a lot and the answer is a very simple, yes.

Desk

Now I am not talking about changing out the sky or adding a dinosaur to the foreground. What I do in post-processing would be considered more as adjustments in my view. The reason is not to make the image look more impressive or different, but to make it look more like the scene and composition looked to me when I pressed the shutter release. That raises the question “why doesn’t the image look the way it did when you took it”?

There are a few reasons for this. First would be that I shoot everything in a RAW format. Raw files are named so because they are not yet processed and therefore are not ready to be printed or edited. These files capture and contain much more information and detail from the scene than you would get from a Jpeg image, which is great. The downside of shooting RAW is the images look somewhat drab and flat straight out of the camera.

Lightroom

Another reason is the dynamic range of the images I normally shoot is greater than can be processed straight to a JPeg image, it is just way too much information to be stored in that format. Bit, all that extra detail in the RAW files can be pulled out by processing the image. I use Adobe Lightroom for 85% post-processing, and by making a few simple adjustments to the image, the dark shadows are brightened to reveal detail that you couldn’t see, and the highlights are muted to allow the blown out areas of the image to be tamed and more impressive.

Adjustments

Once I have pulled images into Adobe Lightroom, the first few adjustments I make are pretty much the same for all my landscape shots and though they are very slight, they have a pretty big image on the overall look of the image.

  • Contrast
  • Highlights
  • Shadow
  • Clarity
  • Vibrancy

I don’t have a standard amount for each adjustment, it is all done by eye to get the visual impact of the image to be as close to what the scene was when the image was taken. These are just the normal adjustments I make, and depending on the image I will make other changes as needed to the Whites and Blacks of the image, Exposure, and Sharpness.

Something I try not to adjust that often, and when I do, it is very slightly, is the color saturation of the image. Instead, I use the color Vibrancy adjustment. The difference between the two is that the vibrancy raises or lowers the primary color of the image, for this image it most affected the greens. Color Saturation, on the other hand, affects the level of every color in the image, and it is really easy to get carried away.

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Adjusting the saturation of an image can really help and I don’t want to give the impression that I don’t ever use it, this image has a very slight saturation boost as a matter of fact. That being said, I think oversaturating images is something that a lot of photographers go to in an effort to elevate the impact of the image, and there are many that take it too far. So, I would suggest having a light hand when adjusting the saturation, but that is just my opinion.

Two other adjustments that I use but try to keep at a minimum are the Clarity slider and the Sharpness. Both can have a pretty dramatic effect on the image but can be taken too far pretty easily. Adjusting the Clarity can soften the image giving an ethereal look, or it can add a gritty harshness to the shot, which can lend well to some styles.

Screen Shot 2018-08-11 at 7.39.26 PMSharpness is very important to most images, and having a slider seems like an easy way to raise the level of the detail. The downside of using the sharpness adjustment is that the more you add, the more grain or pixelation there is to the image, and this can really cause a messy look to the image if you are printing it. When I am adjusting the sharpness of the image, I will always use the Masking feature along with it. This allows the adjustment to be applied to specific areas of the image rather than the entire image in a blanketed fashion. So, rather than an entire blade of grass, just the edges.

In addition to making adjustments in Adobe Lightroom, I do also use Adobe Photoshop for other editings, like removing, people, trash, powerlines or just clutter from the image that I would rather not be there. Photoshop does an awesome job at this and it is a very easy step in my workflow when finishing the image.

So to answer the question again, absolutely I edit my images. It is an important part of the process of landscape photography and like I said earlier, the majority of the images you see on Instagram, Facebook, and other sites have been edited in some form or fashion. As a photographer in the digital world, post-processing technics are something that I spend a lot of time practicing and expanding on, the same way I do with new photo technics.

Is it the camera, or the photographer?

If you are into photography, you have probably heard the questions before. “What is more important, the camera or the knowledge?” So what do you think?

 

 

There is no doubt that technology has advanced light years from the time I picked up my first camera. Just the ability to see the image in mear seconds after pushing the button has got to be one of the biggest advancements in photography. It doesn’t seem like that long ago when we had to get the film to a dark room, run it through several solutions in horrible red light, just to see a negative image. But now, you can know in an instant if you captured what you saw in your mind, and if not, have time to recompose, adjust and try again.

Another big jump in the right direction has been the detail that today’s sensors can capture. Dynamic range is the difference between highlights and shadows and can dramatically change your images. If you have ever shot with the Canon 5D Mark IV or one of the other top-end brands that offer incredible quality, you know the incredible detail you can pull out of seemingly black shadows or almost pure white highlights. This is one of the things that allows me to shoot into a cloud covered sun and still have a clear and evenly exposed subject. That along with filters, bracketing, and a lot of luck at times.

Something that has improved over the years, but not as dramatically as the camera itself is also one of the most important parts of capturing a great image, the lens. Sure there have bee huge improvements like image stabilization and lens coatings that have really made a big difference in color and sharpness of an image. But you can have all that and if the glass isn’t clear, well it just doesn’t matter. Glass quality and clarity is what makes a lens great. This is why I have always suggested investing in quality lenses rather than a camera body. Companies like Zeiss, Canon, and Nikon have been putting out wonderful glass for decades. And I think we can all agree that image sharpness is pretty important when making an image worthy of hanging on the wall.

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Guadalupe River, Texas

So it’s starting to sound like the answer to the question at hand is leaning toward the camera rather than the person behind it, right? Well here is the kicker and where my argument begins. You can go out and buy a Canon 5D Mark IV, Benro Mach 3 Carbon Fiber tripod, 16-35 Canon L Series Lens, and still take crap pictures. I personally know people that have spent thousands on camera equipment and are constantly disappointed because their images are no better than some point and shoot images they took years ago.

And why is that? You know the answer, its the knowledge and skill level of the photographer. Now, this is just my opinion, but I believe that the most important ingredient in making an amazing image is composition. You have to know how the position the camera so the foreground interest leads the eye throughout the image and to your subject so it is “pleasing” to the eye. If you aren’t able to balance the composition, you will be hard-pressed to find a camera that will do it for you..

Selfies-117-Edit-Edit-2And the argument doesn’t stop there. If you cant flip through the knowledge in your head like a checklist, you wouldn’t know the effect the direction of the sun has on the lens and filters, how when shooting on the beach, your tripod will sink into the sand causing the slightest amount of motion blur, or just how important a tripod is to capture a sharply focused image.

So, if you couldn’t already guess what my answer to the questions would be… I would have to say that it is more the person behind the camera than the camera. Now don’t get me wrong, I am completely aware of the advantage my gear has provided me, and there is definitely a plateau where the scale starts to tip a little more toward the equipment. So where I do think knowledge and experience give a photographer the advantage, its a balance of the two that can allow the experience and knowledge to be elivated.

It has been my opinion for many years that if you are interested in capturing better images, before you run out and spend a lot of money on the new shiny thing that just came out… Pick up a book, browse YouTube for tutorials, check out some photography workshops, or just ask someone whos portfolio you admire. Most photographers I have reached out to have been more than happy to offer advice or pass on knowledge. Some of my best lessons have come from doing just that.

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Canyon Lake, Texas

 

 

What elevates your Landscape Photography?

It seems that there is always something new coming out to make taking pictures easier or better. Some are amazing leaps forward that can simplify your workflow and others that are just gimmicky waists of money.

After making a few disappointing purchases, a Facebook friend sent me a message asking if there was something I have purchased that stood out and really made a difference in my landscape photography. That is a tough one to answer because everything I use adds something in one way or another to my particular style and how I shoot. But, I can say there was something that immediately improved my images many years ago that I still use today, filters

camera photography lens colors

And no, I’m not talking about the Instagram or Facebook filters you may be familiar with. There are a lot of different filters that do many different things to change the final look of an image, but the basic way they are all used is the same. Filters are somewhat translucent materials that affect the wavelengths and/or color of light that hits the camera sensor or film. There are color filters that block specific light waves, some are used for special effects causing a foggy look in a scene, and others add another dimension to the image.

For me and my style of landscape photography, there are really just a two that I use on a regular basis. One is a larger category of its own, and I probably use in 75% of my photography, the Neutral Density filter. An “ND” filter reduces or modifies the intensity of all wavelengths and colors of light equally, giving no changes in hue of color. So its similar to potting on sunglasses.

One of my favorite ways to take advantage of this is when shooting landscapes with motion, like water and clouds. Let’s say you are shooting a river scene and would like to soften the white water as it passes over rocks, but your proper exposure calls for a shutter speed of 1/60 second, which wouldn’t give that softness. You can either tighten your aperture, possibly affecting your depth of field and sharpness, Or use a 6 stop ND filter allowing you to have a shutter speed of 1 second and achieving that soft velvety look.

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The Roy B. Inks Bridge in Llano, Texas / 16mm, 45 seconds exposure at f/11, ISO 50

Another type of ND filter is the Graduated ND. These filters transition from clear on one side to the ND tint on the other and are used for balancing an exposure rather than modifying the entire scene. For instance, say you are shooting a sunset and your foreground is somewhat dark because of the fading light, but the sky is bright and filled with highlights due to the angle of the sun on the atmosphere. Normally taking this shot would either cause the sky to be too bright and blown out losing all detail in the clouds, or the foreground would be dark and silhouetted.

By using a 3 stop Graduated ND filter you can adjust the horizon line with the tint line on the filter, allowing you to use a longer shutter speed to capture both the detail in the foreground and properly expose for the sky allowing all the beautiful colors of the sunset to come alive.

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Canyon Lake, Texas / 16mm, 6 seconds exposure at f/22, ISO 50

The other filter I use most of the time is a circular polarizer. A polarizing filter is often placed in front of the camera lens in order to darken skies, manage reflections, or suppress glare. I have gone through how I use this in an older blog, How Did You Do That?

Using a filter is pretty simple. There are 2 main types of filters, round screw on filters and square drop-in filters. Which one is best is a decision that I think is up to the photographer and what they prefer. Personally, I use the LeeFilters 100mm drop-in system, for 2 reasons. First, for quality and affordability, I don’t think you can beat the LeeFilters filters. And second, using the drop-in system allows me to have one set of filters that can be used on all my lenses rather than buying a screw-on filter for each of the different millimeter sizes of my lenses.

If you are interested, below is a list of all the filters I use with links.

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Lee Filters Foundation Kit / Filter Holder
Lee Filters 105mm Slim Landscape Polarizer 
Lee Filters Little Stopper 6-Stop Neutral Density Filter
Lee Filters Big Stopper 10-Stop Neutral Density Filter
Lee Filters Supper Stopper 15-Stop Neutral Density Filter
Lee Filters 2 Stop Medium Edge Graduated Neutral Density
Lee Filters 3 Stop Medium Edge Graduated Neutral Density
Lee Filters 1 stop Soft-Edge Graduated Neutral Density 
Lee Filters 2 stop Soft-Edge Graduated Neutral Density 
Lee Filters 3 stop Soft-Edge Graduated Neutral Density
NiSi 100mm Natural Night Filter
Lee Lens Cap Pack 3

You’re not going to get it every time…

There are a lot of Great photographers out there, a few that I follow regularly on YouTube for inspiration. Professionals like Thomas Heaton, Nick Page, & Brendan van Son are putting out some great content, if you haven’t heard of them, I would recommend checking them out.

One of the downsides of following top-notch landscape photographers is they can unintentionally make it seem like getting an awesome shot is as easy as hopping in the car and going to the park, and well, that just isn’t the case. One reason I enjoy the three photographers above is they share the bad along with the good, so you don’t just see that epic hero shots.

Taken at Bob Hall Piel, Padre Island, Corpus Christi Texas
Taken at Bob Hall Piel, Padre Island, Corpus Christi Texas

Getting discouraged or stuck in a rut is a pretty easy, it happens to me about the same time every year as a matter of fact. It’s really important to remember that landscape photography isn’t just about getting that shot. And that isn’t just my opinion, a lot of the great landscape photographers out there have said the same thing. Don’t get me wrong, I want and almost expect to get a somewhat decent shot when I go out, but its also just getting out there that is part of the overall experience. For me, it’s the clouds, the river, trees, stars and so many other things that you just can’t find in a studio. Something I think a lot of people forget or just don’t understand.

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Canyon Lake, Texas

For instance, when was the last time you enjoyed a sunrise or sunset? And I don’t mean enjoy seeing an image of one on Facebook or Instagram. When was the last time you got up before the light starts to silhouette the clouds just to drive to a location, have a hike with 30 pounds of gear so you could be at a specific spot that in your mind, you think would be an EPIC place to watch the sunrise? By the way, sunrises & sunsets can be just as epic in your backyard, sometimes even more enjoyable if you change out the 30 pounds of gear for a cup of coffee or a frosty cold margarita.

Just off the top of my head, I know of 6 times just this year that I have done just that, and not even taken the camera out of the bag due to weather or conditions that can’t be controlled. And you know what, I don’t regret a minute of it.

It is important to remember how often exceptional photographers, that you & I admire, are out making images. The more you put yourself in the environment you want to photograph, the better the chances that the sky with light up, the bird will look your way, or the clouds will clear on a dark night…

Having realistic expectations is extremely important in anything you do, especially when there are so many factors that are out of your control. So even if you have triple checked the forecast, planned your route on a map, prepped all your gear…, know that you may just have to enjoy being outdoors and making the effort. Starting out with that frame of mind really helps me appreciate the entire experience and leave me with a smile on my face.

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Taken in Driftwood, Texas

Whats in my Camera Bag?

bag

Have you ever seen a photographer, tripod in hand looking for a composition and said to yourself “I wonder what is in their camera bag”? I know I have, just about every time I see someone with a Peak Design or even when I see a great image taken by some of my favorite shutterbugs.

Over the past year, some great things have happened and a few of my images have gotten some great exposure, and I have been blessed enough to have gained a lot of new followers. Several of which have asked me about what gear I use while out photographing.

So, below is a list of almost everything I use. I have included links to everything I can find that is still sold, some of the links will take you to Amazon. These Amazon links are “affiliate links” which means if you click on it and buy it, I make a small 3% – 8% commission. Thank you for your support.

Cameras and Lenses

Canon 5D Mark IV– This is to date my favorite camera body. Superb image quality and excellent dynamic range. The on-screen zoom in allows for sharp focus and the overall ergonomics will be very familiar to Canon users. 
Canon 7D Mark II – This is a wonderful crop sensor camera body that I used for years before upgrading. 
Canon 16-35mm f/4L IS USM Lens– This may be my favorite landscape lens. Great quality and not terribly expensive. I would venture a guess that 75% of my images have been taken with this lens.
Canon EF 24-105mm f/4L IS II USM Lens– Though I don’t shoot in this range a lot, this is a wonderful lens to have in the bag for those in-between ranges. Not too pricey and great quality. 
Canon EF 70-200mm f/2.8L USM Lens – This was for many years my number one go-to lens. Fantastic quality and very diverse. 
Canon EF 100-400mm f/4.5-5.6L IS II USM Lens– This is one of the most versatile lenses in my kit. It is exceptionally sharp and just as good for landscapes as it is for wildlife, sports, and portraits. 
Canon EF 14mm f/2.8L USM Lens – This is a quality lens but is I am honest, the Sigma version may be as good or better for half the price.
Sigma 24mm f/1.4 DG HSM Art Lens – For the price, this is one of the best wide aperture/angle lenses I have had. Great for shooting nightscapes and the milky way. 
Canon EF 50mm f/1.2L USM Lens – This is perhaps my favorite prime lens to shoot with. Great for portraits, street photography, and nightscapes, it is ultra sharp and the bokeh is exceptional. 
Canon EF 100mm f/2.8L Macro IS USM Lens – This is an ultrasharp macro lens that is also perfect for portraits. 

 

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Support

Manfrotto 190go! Carbon Fiber Tripod – Currently my favorite tripod! Not too big, not too small, not too heavy… Quality construction and very durable.
Manfrotto XPRO Magnesium Ball Head – Compact, precise and dependable. Everything I look for in a tripod head. 
Benro Long Series 3 Mach3 Carbon Fiber Tripod – WHen you need something with a little more girth and stability, this is what you want. 
Benro G2 Low-Profile Triple Action Ball Head– This is a bit more than I need, but a solid, quality, and reliable tripod head. 
Really Right Stuff Pocket Pod– A wonderful pocket-size support that allows incredibly low supported shots.
Peak Design SlideLITE Camera Strap SLL-1– By far the best camera strap I have ever owned!
JOBY GorillaPod Action Video Tripod – Used primarily for the GoPro and Vlogging.
black lowepro belt
Photo by Garrett Morrow on Pexels.com

Bags & Cases

Lowepro Whistler BP 350 AW – Best camera backpack I have owned. It may be a little bit depending on what you are doing, but it has enough space for what I need while allowing extra space for hiking or camping gear. Very durable and comfortable. 
Lowepro Flipside Sport15L AW– A wonderful compact bag great for day trips and light travel.
Pelican 1510 Case With Padded Dividers
Lowepro S&F Filter Pouch 100– I don’t know if this is the best, but it has worked well for holding my filters. Easy to clean and keep dirt from scratching up all my expensive filters. 

Video & Drones

GoPro HERO5 Black– I use this a lot for my Vlogging and time-lapse video. Small, lightweight and great for documenting. 
GoPro HERO5 Session – Even smaller and lighter, this is used primarily doe vlogging and documenting photography outings. 
DJI Spark– This is an amazing little drone that I honestly don’t use enough. The compact size is great for my bag and for what I have used it for, it is pretty cool.
Movo Photo MTP-11 Motorized Tripod Head – Used for time-lapse panning in videos. 

 

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Filters

I use a range of graduated ND filters, ND filters, a polarising filter. All of these are used with the Lee Foundation Holder. The quality of the filters are second to none. The polariser causes minimal vignetting even at 16mm. 
Lee Filters Foundation Kit / Filter Holder
Lee Filters 105mm Slim Landscape Polarizer 
Lee Filters Little Stopper 6-Stop Neutral Density Filter
Lee Filters Big Stopper 10-Stop Neutral Density Filter
Lee Filters Supper Stopper 15-Stop Neutral Density Filter
Lee Filters 2 Stop Medium Edge Graduated Neutral Density
Lee Filters 3 Stop Medium Edge Graduated Neutral Density
Lee Filters 1 stop Soft-Edge Graduated Neutral Density 
Lee Filters 2 stop Soft-Edge Graduated Neutral Density 
Lee Filters 3 stop Soft-Edge Graduated Neutral Density
NiSi 100mm Natural Night Filter 
Lee Lens Cap Pack 3
photography of laptop computer camera smartphone headphones and mug
Photo by Skitterphoto on Pexels.com

Post Processing

LaCie 4TB Rugged RAID External Hard Drive – This holds all of my media, Lightroom Catalogs and Adobe Premier Project files. This system allows me to seamlessly switch from laptop to desktop without ever having to sync folders or re-edit images.
WD 4TB My Passport Wireless Pro Portable External Hard Drive – This is used exclusively as a backup drive.
Adobe Lightroom– Yes, all my photos are edited. I use Lightroom to make minor adjustments to shadows, highlights, contrast, color, sharpness, and clarity. The majority of the time my post processing is minimal and I try to keep the final images as I saw them when taking the image.
Adobe Photoshop– For more in-depth adjustments such as removing a power line, street signs, or just clutter, Photoshop is great. I probably only use 3% of what the program can actually do.
Canon PIXMA Pro-100 Printer – This is a great printer for the price and can print up to a 13 x 19 inch print with exceptional quality. 
brown and white dome tent at nighttime
Photo by Pete Johnson on Pexels.com

Outdoor Gear

Garmin Fenix 3 GPS Watch– For those of you that tend to get lost in the great outdoors, this is a must-have. It also has alarms for the approaching sunrise and sunset which I use a lot.
Vallerret Photo Gloves – It doesn’t get cold that often in the Texas Hill Country, but when it does, these are the only gloves I will wear. They have wonderful grip and allow the tips of your thumbs and pointers to poke out.
Foxelli Trekking Poles – When you have to hike a few miles to get to that perfect photo spot while hauling 40 lbs of gear, these give that added stability and support while adding minimal weight.
VITCHELO V800 Led Headlamp – If you intend to shoot nightscapes, this is something you are going to want to invest in.
LEATHERMAN – Signal Multitool – For those moments when you need an all in one tool.
BANSHEE 200 – 2 Person Tunnel Tent – This is a great, lightweight, 2 person backpacking tent with large openings so you can view all that nature has to offer.
Nemo Equipment Fillo Pillow – So much better than using a shoe and takes up minimal room in your pack.
Therm-a-Rest NeoAir XLite Air Mattress – Not only is it comfortable, this compact and lightweight pad insulate you from the ground temperatures keeping you cooler or warmer. 

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Commercial Photography…

Have you ever thumbed through a magazine or surfed the web and come across a picture that was so perfectly staged it made you want to buy whatever is in the image? This is commercial photography. A mixture of planning, lighting, staging, and processing. If you’ve got all that down and a great imagination to bring a product to life, you just need to find a company that will give you a chance to show what you can do.

This may be my favorite type of photography. Though I do enjoy spending time outdoors waiting for the sun, clouds and subject to be just in the right spot, there is something I love about thinking of an image and planning to make it  a reality. Now admittedly, I am not some master commercial photographer. Truth is I have made very little in this area due to my own lack of motivation to dedicate enough time to chasing this dream. But, I have fond that with social media being so prevalent these days, it’s very easy to get your images noticed by specific companies.

The first product shots I ever seriously took was for a local bakery in New Braunfels, Texas. This wasn’t something I was hired to do and I didn’t make any money on the images. It was more for the experience and to see what I could do. Honestly, most of the time I just enjoy the process so much I would do it for free anyway. After posting them on the baker’s Facebook page, they reached out to me to see if they could use 2 of them on their website and possibly to print for business. I was pretty flattered and give them the images below as long as they left my watermark.

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After getting a little confidence in what I could do with just photographing an object, I started to experiment with different lighting, doing a little more staging, thinking outside of that I though someone would normally do. Not as easy as I thought at first. It seems all the great photo ideas have been taken so most of my time was spent trying to find something I liked and elevate it. Below is a row of tequila shots that came from something I saw in a magazine. The original image just had 2 shot glasses and a bottle in the background.

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Now you’re going to start to notice a theme here and will probably recommend that I start attending AA meetings. I think a lot of people stick close to what they know and well, I may know a bit about whiskey. My  first attempts at shooting whiskey pictures were pretty boring and normal, but I was happy with them at the time.

I used what I had around the house for these. Whiskey, a mirror, glass, and some speed lights…. Not very interesting as I mentioned but a learning experience all the same. After shooting a bit with actual ice I realized how difficult this was going to be. The ice would melt pretty quickly and I was constantly trying to get the cubes into the right position before they moved. If you ever plan to do anything with ice, I would recommend buying some high quality fake cubes.I picked up a set of 40 1 x 1 cubes for about $20.00 on Amazon.com.

La Vernia Chruch 9.1-1The shot above was done using a StopShot, something I covered in a previous posts about water drop collisions. This just came from an idea and wasn’t done for anyone pacific. Looking back, this could have been much better adding some branding or just better staging.

Leadslingers Whiskey-1The picture above was taken in my spare time for a great veteran owned business here in Texas. They do a lot of outreach for veterans that are coming back from the war and may need some help getting back to normal here in the states. It wasn’t much but I wanted to do something for those that are always doing for others. After sending it to them and reaching out on social media, they let me know they were impressed and would really like to see something a bit different that they could use. I shot the picture below for them, it is still one of my favorites.Whiskey Glock (1 of 1)

Below are a few more of my favorite shots from my “Vices” album. They are geared more toward cigars as you will see, but I didn’t get far from the whiskey. Romeo & Julette Cigar (1 of 1)Davidoff Cigar (1 of 1)

If I could pick just one genre of photography to make a living on, this may just be it. Some of the really great commercial photographers can spent endless hours coming up with and idea, then days innovating and planning to make that idea come to life in a briefer second. I follow several on Facebook, YouTube and email newsletters like Karl Taylor. He’s pretty bad ass and I may have a little man crush on his work. One of my favorite shots he has done involves 2 “ski jump” like ramps used to launch 2 glasses of whiskey (complete coincidence) into each other. I have watching and re-watching videos of his processes, lighting, planning, and attention to detail like I have a final tomorrow.

Someone told me a long time ago, find something you’re passionate about and learn how to make money doing it. Though I agree with that, I think it needs to be expanded on. Find something you’re good at. Passion will get you so far but it is up to you to challenge yourself, expand on you knowledge and constantly improve on your craft. But what do I know, I’m still in the beginning stages.I just keep telling myself it just takes one. One image, song, report or sale. You just need that one thing to make you shine and be noticed by the right person. Maybe that person is you.

Whiskey Fire-1

 

Liquidography…Water Drop Collisions.

For many years I have had an obsession with trying to photographing water drops and water drop collisions. There’s something about seeing liquids collide and the beautiful chaos that ensues.

My first attempt at capturing a collision was a long drawn out process of trial and error, and after several hours and hundreds of shutter releases later, I was left with a nice drop but no collisions at all.

Though at the time I was happy to have caught just one drop, looking back it isn’t very sharp due to a low powered flash set at full power. This was staged with a scrapbooking glitter paper in back of a small bowl of water. 11232963_751372378308386_2976376684498981304_o
For the water drop, I went low budget that filled a plastic bag with water suspended from a tripod. I cut a small hole in one of the corners and gradually increased the size of the hole until the drops were large and frequent enough to get a rhythm. The difficult part for me was releasing the shutter just after the drop hit the surface of the water rather than anticipating the impact and pressing it just before.

After many, many more waisted attempts to catch a collision I broke down and made an investment in a StopShot. This is a great little setup that allows you to time precise drops down to the millisecond. The ability to fine-tune the size of the drops and time in-between shots allows for some stunning images.

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These images are all of 2 water drops released within milliseconds of each other falling into a trey of water. As the first drop impacts the water and rebounds back up, the second drop impacts the rebounding drop causing several different reactions. Some impacts just flatten the water almost like a nail head and others splatter like an explosion. Adding food coloring to the water really brings out some great reactions. The image below as with red water drops falling into a pan of clear water with a little dish soap in it.

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The small bubble in the stem is from the dish soap and you can see the swirl of the red food coloring mixing with the water if you look closely. I really like the “bending” of the water as the second drop falls around the rebounding drop.

The process is really very simple with the StopShot. The control box connects to the drop timer as well as a strobe light source, I used speed lights in most of these. The camera is set to bulb and I release the shutter. At the same time I press the release button on the StopShot that releases the water drops. Once the timing is down, the flash will fire as the drops collide and I close the shutter. This freezes the image as you see below.

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This isn’t a plug in and go system. There is a lot of calibrating and trial to get the timing of the drops just right. But after a lot of attempts and patience, you can really get some great images.

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For more information about the StopShot, click here.

Austin Texas through my lens…

Living in New Braunfels Texas and working in Austin has a few drawbacks. What started as an hour commute and gradually creeped into 3 and a half to 4 hours in my car every day. Gotta say that part sucks.

The Long Center for the Preforming Arts-3The Long Center for the Preforming Arts

It’s not all bad though. If you look past all the traffic of one of the fastest growing cities in the nation, there are some incredible sights to see. From cityscapes and urban grit to parks and nature, Austin has it all. One of my favorite spots in Austin is the Penneybacker Bridge, or the 360 bridge to the locals. Located on the Colorado River and Loop 360 in West Austin, this little cliff offers some amazing views.

360 Bridge Austin TX-3Overlooking the Pennybacker Bridge in Austin Texas

It would be a great setting for bridal or portrait photography, but I recently went for some long exposure shots of the bridge. Below is a 20 second exposure at f/22 using a Lee ND graduated filter.

Pennybacker Bridge in Austin Texas

There is a 2 tier cliff area that you can early walk up to from a parking area just off of Loop 360. It is a big hangout for Austinites looking to catch a nice sunset while they partake in some of the devils parsley, Keep Austin Weird…

Another place I really enjoyed going for a few pictures during lunch was the Texas Capital Building. Very easy to get to and free to get it, finding parking isn’t always easy or free though.

The Texas State Capital Building

Being high noon under clear sky, I decided to shoot in black and white. The building itself really is amazing and all the architectural detail really brought out some contrast from the harsh shadows. To see one of my favorite parts of the capital you have to go inside. The day I went had some pretty high tempters and with all the walking, well I got a little overheated. Just when you go in through the main entrance, past the park rangers and scanners, there is a large picture f Davie Crockett just to you right. If you need to cool off, stand just in front of it. There is a vent that blows some much needed cold air.

Austin Texas-38Texas State Capital Building Rotunda

Above is a shot of the rotunda just inside the Texas Capital Building. I took it from the 3rd floor balcony to get the angle I wanted. If you look to the upper right part of the rotunda you can see the white spiral staircase leading up. There are tours that will take you up through the staircase. I didn’t have time that day but would like to go back to see whats up there. The rotunda is pretty impressive from the ground floor as well. There are a few shots below showing what you would see looking up just as you walk in.

 Texas State Capital Building Rotunda

Just southwest of Austin, in Driftwood, there is a wonderful little swimming hole called Hamilton pool. Locate just just off of 3238 is the Hamilton Pool Reserve. Bring some comfortable shoes though, theres a little hike with some elevation to deal with. But when you get to the pool, its all worth it.

Hamilton Pool Reserve

At the time I only has a 28mm and it really doesn’t do it justice. I really need to go back with a wider angle to get what I wanted. Below are a few other shots I got while there. I would recommend going early if you are going to be taking pictures. This is a popular spot for cooling off during the summer and can draw in the crowds. There are also some great walking trails along Hamilton Creek and the Predernales River.

Hamilton Pool Reserve

As I mentioned, it’s not all bad working in Austin. Great people, food and entertainment all centered around wonderful scenery. There is so much more to see that what I have posted here. The key is getting out to experience it for yourself and see it through your own lens.