Though this is a blog about photography, “how bad do you want it” is a question that applies to just about anything and everything, but I digress…
You may be thinking, Jason, what the hell are you talking about… well. “How bad do you want it” is a question I ask myself just about every Friday before my head hits the pillow. For those of you who don’t know, much like many many other landscape photographers, I have an “adult” job. Not adult like an adult film star or anything, but a full-time job that has nothing to do with photography.
After working over 40 hours a week, at times away from my lovely wife and all the comforts of home for several days, there is nothing more I would rather do than sleep in, relax and marathon Walter White as he Breaks Bad. So, I have to ask myself, “how bad do you want it“? And for me, “it” is that one banger shot that makes you smile when it pops up on the back of the camera after hearing the shutter click. It could be vivid colors of the Milkey Way arching over Enchanted Rock or a beautiful smile beneath piercing eyes in dramatic black & white.
Being a photographer in a digital world is, in many ways, so much easier than it was when I started shooting film. In an instant after freezing time, you can know if you captured your vision. The leaps in technology have, for sure, brought with it benefits that I can’t imagine living without. However… with all those wonderful leaps forward there is bound to be an equal and opposite reaction, according to some guy that goes by the name Issac.
Social media is without a doubt a huge part of what I do as a photographer, as it is with just about every business these days. It is still possible to do well without social media, but when you can reach 100K plus people with one banger image, well, that’s a large audience and you would have to be a little crazy to pass that up. But, with social media, there is a constant pressure to produce great content. That could be a single image, a video, tutorial, or a blog post like this one. And, contrary to what some people think, pumping out content and posts that will actually catch the attention of an audience is a large dedication of time not to mention a lot of work.
One Friday night, a few weeks ago, after a very busy week at my “real” job, I had to ask myself “how bad do you want it“? The weather forecast that night called for zero clouds, which can be great if you’re into shooting nightscapes like I am. It also called for temperatures in the upper 30’s. I know what you’re thinking, upper 30’s isn’t cold. Well if you live in Central Texas and are going to be standing lakeside on a breezy night, its cold.
For several weeks that I had been waiting for a clear night on a weekend so I could get what I hoped would be Star Trails above the Austin, Texas skyline. But that meant waking up at 3:30am, driving for over an hour, walking for about a mile with 38 pounds of camera equipment on my back, just to stand in 39° temperatures for several hours. Gotta want it pretty bad to go through all of that after the week I had.
So it was cold… really cold… But I think I mentioned that. My fingertips and toes were numb and the filters I was trying to use kept getting condensation on them, which really sucked because it ruined the shot I wanted so much. Originally I had a grand plan of making a video out of the trip with some great aerial B-role as the sun broke the horizon and illuminated downtown Austin. Though I did piece together the video below, there isn’t any epic drone. I couldn’t feel my fingers by the time the sun started to rise. Sometimes things just don’t go as planned. But, the video doesn’t do it justice and I loved every minute of it.
So, that brings us full circle. How bad do you want it? What are you willing to do to get the thing you want most? Next time you think you would rather sleep in or not get out and make it happen, ask yourself that.
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Hamilton Pool. If you’ve never heard of it, it is entirely possible that you have seen it online and said to yourself “I wanna go there”. Over the past several years there have been many travel blogs, articles, and images that have gone viral online showing the beauty of this hidden gem tucked away in the Texas Hill Country.
This isn’t one of those blogs though. Hamilton Pool Preserve is one of the most challenging places I have ever photographed and wanted to pass along why that is and what to expect if you plan a trip to this spectacular location.
First, a little bit about Hamilton Pool. Located in Dripping Springs, Texas just Southwest of Austin, the preserve’s pool and grotto were formed when the dome of an underground river collapsed over a thousand years ago. After a short hike down a rocky and steep path, you will find a creek accented with some of the most beautiful trees in the area. Following the creek upstream will bring you to the pool, and you will know when you’re getting close when you hear the relaxing sound of the 50-foot waterfall that feeds into the once hidden oasis. It is really a breathtaking spot to see.
So, let’s go over a few things you need to know if you’re planning a visit. One of the most important things you need to do is make a reservation… Yes, you heard right. Over the years, the number of people that visit the pool has become overwhelming for the park. To solve this, you are now required to make a reservation, which costs about $10.00. You will still need to pay the entrance fee at the park. The details can be found HERE on their webpage.
Just because you have a reservation doesn’t mean that there won’t be anyone else at the park while you are there. Personally, I like to go as soon as the park opens and during the week in hopes that I will get 30 minutes all alone before people start showing up.
Next, if you are hoping to take a dip in the beautiful water while you are there, check the site above first. Due to high bacteria in the water at times, the park will often restrict swimming.
Now, here are a few things you need to know and consider from a photography standpoint. The reason I mentioned that Hamilton Pool is so difficult to photograph has nothing to do with the reservations or getting there. It would seem that being such an Epic looking location, it would be hard to take a bad picture, but it is just the opposite.
The “grotto” of the pool is pretty much a cavern, which does let light in but is still very dark. Due to the park hours, the earliest you can get there and latest you can stay, the sun will be out, and even on cloudy days like in these images, there is a huge difference in the range between the shadows and the highlights. For those of you that don’t know, this is the Dynamic Range.
So, a normal person’s eye can see about 20 “stops” of light. Consider this to be like a volume slider, 1 being the darkness of the cave and 20 being the brightness of the sky. The image processing sensor on a high-end camera can only capture a range of about 15 stops of light though. So, roughly 25% of the scene you think you are getting is lost.
This means that what you are seeing with your naked eye when you look at the awe-inspiring dome of Hamilton Pool has a lot more detail and range than your camera can capture. So, there are a few options…you can pick between losing the detail in the shadows and properly exposing for the bright reflections of the sky in the water, you can keep the detail and texture of the huge fallen chunks of rock but blow out and lose all the detail in the sky… or, you can find another way of dealing with it and capturing both.
My choice for the location was to “bracket” the images and then merge them in Photoshop allowing both the beautiful highlights and the rich detailed shadows to show in the final image. Bracketing is when you take 2 or more images of the same scene but at different exposure levels. Normally I will shoot three, one properly exposed image, one underexposed, and one overexposed. This is also known as an HDR (High Dynamic Range) image on most mobile phones.
– 1 Stop
+ 1 Stop
Once the images have been processed and merged together in Photoshop, you will get the HDR image that will hopefully have the full dynamic range of what your eyes saw. Below is what I walked away with.
There are a few things to keep in mind when bracketing for an HRD image. Your camera may already have this feature that will automatically combine the images into one. I do have that option but prefer to take the images separately and merge them myself. This gives me more control over the final image. It is more work but I think the finished product is better.
You may have heard me say how important I think a tripod is when shooting landscape photography. Well, it is even more so in this situation. You will most likely be dealing with at least one longer exposure where camera shake can really become a problem but keep in mind that all three images have to line up if you want sharp focus in the final image.
In the end, Hamilton Pool is a very challenging place to photograph. On one trip I walked away with ZERO images that I liked. All that being said, and after all the work, I would highly recommend planning a trip. Even if you don’t take a camera, it is an incredible place that gives you the feeling of stepping through a portal straight into Middle Earth. Below is a “behind the scenes” video of my last trip.
There is no doubt that technology has advanced light years from the time I picked up my first camera. Just the ability to see the image in mear seconds after pushing the button has got to be one of the biggest advancements in photography. It doesn’t seem like that long ago when we had to get the film to a dark room, run it through several solutions in horrible red light, just to see a negative image. But now, you can know in an instant if you captured what you saw in your mind, and if not, have time to recompose, adjust and try again.
Another big jump in the right direction has been the detail that today’s sensors can capture. Dynamic range is the difference between highlights and shadows and can dramatically change your images. If you have ever shot with the Canon 5D Mark IV or one of the other top-end brands that offer incredible quality, you know the incredible detail you can pull out of seemingly black shadows or almost pure white highlights. This is one of the things that allows me to shoot into a cloud covered sun and still have a clear and evenly exposed subject. That along with filters, bracketing, and a lot of luck at times.
Something that has improved over the years, but not as dramatically as the camera itself is also one of the most important parts of capturing a great image, the lens. Sure there have bee huge improvements like image stabilization and lens coatings that have really made a big difference in color and sharpness of an image. But you can have all that and if the glass isn’t clear, well it just doesn’t matter. Glass quality and clarity is what makes a lens great. This is why I have always suggested investing in quality lenses rather than a camera body. Companies like Zeiss, Canon, and Nikon have been putting out wonderful glass for decades. And I think we can all agree that image sharpness is pretty important when making an image worthy of hanging on the wall.
So it’s starting to sound like the answer to the question at hand is leaning toward the camera rather than the person behind it, right? Well here is the kicker and where my argument begins. You can go out and buy a Canon 5D Mark IV, Benro Mach 3 Carbon Fiber tripod, 16-35 Canon L Series Lens, and still take crap pictures. I personally know people that have spent thousands on camera equipment and are constantly disappointed because their images are no better than some point and shoot images they took years ago.
And why is that? You know the answer, its the knowledge and skill level of the photographer. Now, this is just my opinion, but I believe that the most important ingredient in making an amazing image is composition. You have to know how the position the camera so the foreground interest leads the eye throughout the image and to your subject so it is “pleasing” to the eye. If you aren’t able to balance the composition, you will be hard-pressed to find a camera that will do it for you..
And the argument doesn’t stop there. If you cant flip through the knowledge in your head like a checklist, you wouldn’t know the effect the direction of the sun has on the lens and filters, how when shooting on the beach, your tripod will sink into the sand causing the slightest amount of motion blur, or just how important a tripod is to capture a sharply focused image.
So, if you couldn’t already guess what my answer to the questions would be… I would have to say that it is more the person behind the camera than the camera. Now don’t get me wrong, I am completely aware of the advantage my gear has provided me, and there is definitely a plateau where the scale starts to tip a little more toward the equipment. So where I do think knowledge and experience give a photographer the advantage, its a balance of the two that can allow the experience and knowledge to be elivated.
It has been my opinion for many years that if you are interested in capturing better images, before you run out and spend a lot of money on the new shiny thing that just came out… Pick up a book, browse YouTube for tutorials, check out some photography workshops, or just ask someone whos portfolio you admire. Most photographers I have reached out to have been more than happy to offer advice or pass on knowledge. Some of my best lessons have come from doing just that.
It seems that there is always something new coming out to make taking pictures easier or better. Some are amazing leaps forward that can simplify your workflow and others that are just gimmicky waists of money.
After making a few disappointing purchases, a Facebook friend sent me a message asking if there was something I have purchased that stood out and really made a difference in my landscape photography. That is a tough one to answer because everything I use adds something in one way or another to my particular style and how I shoot. But, I can say there was something that immediately improved my images many years ago that I still use today, filters…
And no, I’m not talking about the Instagram or Facebook filters you may be familiar with. There are a lot of different filters that do many different things to change the final look of an image, but the basic way they are all used is the same. Filters are somewhat translucent materials that affect the wavelengths and/or color of light that hits the camera sensor or film. There are color filters that block specific light waves, some are used for special effects causing a foggy look in a scene, and others add another dimension to the image.
For me and my style of landscape photography, there are really just a two that I use on a regular basis. One is a larger category of its own, and I probably use in 75% of my photography, the Neutral Density filter. An “ND” filter reduces or modifies the intensity of all wavelengths and colors of light equally, giving no changes in hue of color. So its similar to potting on sunglasses.
One of my favorite ways to take advantage of this is when shooting landscapes with motion, like water and clouds. Let’s say you are shooting a river scene and would like to soften the white water as it passes over rocks, but your proper exposure calls for a shutter speed of 1/60 second, which wouldn’t give that softness. You can either tighten your aperture, possibly affecting your depth of field and sharpness, Or use a 6 stop ND filter allowing you to have a shutter speed of 1 second and achieving that soft velvety look.
Another type of ND filter is the Graduated ND. These filters transition from clear on one side to the ND tint on the other and are used for balancing an exposure rather than modifying the entire scene. For instance, say you are shooting a sunset and your foreground is somewhat dark because of the fading light, but the sky is bright and filled with highlights due to the angle of the sun on the atmosphere. Normally taking this shot would either cause the sky to be too bright and blown out losing all detail in the clouds, or the foreground would be dark and silhouetted.
By using a 3 stop Graduated ND filter you can adjust the horizon line with the tint line on the filter, allowing you to use a longer shutter speed to capture both the detail in the foreground and properly expose for the sky allowing all the beautiful colors of the sunset to come alive.
The other filter I use most of the time is a circular polarizer. A polarizing filter is often placed in front of the camera lens in order to darken skies, manage reflections, or suppress glare. I have gone through how I use this in an older blog, How Did You Do That?.
Using a filter is pretty simple. There are 2 main types of filters, round screw on filters and square drop-in filters. Which one is best is a decision that I think is up to the photographer and what they prefer. Personally, I use the LeeFilters 100mm drop-in system, for 2 reasons. First, for quality and affordability, I don’t think you can beat the LeeFilters filters. And second, using the drop-in system allows me to have one set of filters that can be used on all my lenses rather than buying a screw-on filter for each of the different millimeter sizes of my lenses.
If you are interested, below is a list of all the filters I use with links.
The Milky Way…. For me, there’s always been something about images of the Milky Way that has fascinated me. I don’t know if it’s the idea that something as small as a DSLR camera can capture colors of gasses hundreds of thousand miles away that cannot be seen with the naked eye or the childhood obsession I have with space. For years I have wanted to capture a good shot of the center of our galaxy. And though I haven’t gotten what will be that one magical image that I have chased for so long, I am getting closer and am starting to get the hang of it.
To be up front and honest, I am far from an expert in the realm of Milky Way photography. There are many many photographers that are leaps and bounds beyond my skill level when it comes to this genre so please keep that in mind. This is just my learning experience over the past 2 years, and it is ongoing.
There are a few basic things you are going to need if you want to capture a shot of the Milky Way.
A camera that has the ability to take a 20 second exposure at an ISO of 3200.
A lens with a wide aperture capability.
A good tripod so you don’t get motion blur over the 20second exposure.
A dark place.
This is the very first attempt for me shooting the milky way. It was taken in my back yard just north of San Antonio Texas.
First off, the camera; I shoot with a Canon 5D Mark iv which has some amazing dynamic range capability. It isn’t the best for shooting night exposures but it is far from the worst. For the camera settings, as mentioned above, I use an ISO of 3200 with a shutter speed of 20 seconds. This is just a starting point and there are adjustments to be made depending on the darkness of where you are shooting and the aperture range of the lens with which you are shooting. If your camera has “noise reduction”, be sure it is turned on. This will help your final image and reduce the “graininess” that comes with high ISO speeds and also reduce star trails that are caused by the earths rotation.
The lens I use is a Canon 14mm f/2.8 L. I mentioned the importance of the lens aperture, this is one of the factors that is key for allowing those colors you can’t see with the naked eye to be absorbed on the film sensor. Normally I start with the aperture wide open at 2.8, and to be honest that’s normally where it stays. I have had luck with other lenses and smaller apertures up to 4.5 though. This all depends on the darkness that you are shooting in.
For focusing, set your lens to manual focus and focus all the way out to infinity. This is normally indicated with the ∞ symbol. Once I have set my focus, I put a peace of blue painters tape across the focus ring so I don’t unintentionally knock it out of focus. If you do this, use what tape you want. I use painters tape because it doesn’t leave a sticky residue when I take it off. I would also recommend checking your focus from time to time to be sure it hasn’t changes. It is very hard to see how sharp your focus is through the viewfinder or in the preview screen.
The image above was taken just west of Seguin, Texas late October 2016, July 2016 / ISO 3200, 20 Seconds at f/ 2.8
The next thing is the tripod. I use a Manfrotto 190 Aluminium 4-Section Tripod with a Manfrotto XPRO Magnesium Ball Head. Any sturdy tripod that will hold your camera perfectly still will work. As you probably already know if you have been interested in photography for a while, motion while shooting translates to a blurry image. This is amplified many times when you are using long shutter speeds like 20 seconds. Any movement over the course of the shutter being open will show on the final image. This can be as small as a footstep depending on the firmness of the ground your tripod is on so I try to remain as still as possible while the shutter is open.
A Dark Place
Lastly, a dark place. Now I’m not talking about a dark field 20 miles outside of the city. I’m talking about a place that can be rated on the Dark Skies registry. This for me, was and continues to be a challenge. I currently live in New Braunfels, a small town just north of San Antonio and south of Austin Texas. Being sandwiched between two of the brightest cities in Texas, I have to go pretty far to find some truly dark skies. This is where dedication to getting the image comes in. To get a good shot of the Milky Way I have to drive at least 2 hours to find a spot that has both dark skies and a foreground that provides some interest.
Fortunately, there are some tools that can help find your closest dark skies area in the form of apps and the good old world wide web. I use an app on my phone called Dark Sky, which was free to download. You can also go to the Dark Skies website to find an area with minimal light pollution near you, there is a link here.
Seguin Texas late October 2016, July 2016 / ISO 3200, 20 Seconds at f/ 2.8 / Comparing this shot to the ones below taken at Enchanted Rock State Park, you can see how light pollution can change the image making the milky way almost unnoticeable. This was about 40 miles outside of San Antonio but the bright city lights were just too much for the shot to come out how I wanted.
If you have never ventured outside the bright lights of the city you will probably be amazed that once you are in an area with minimal to no light pollution, you can see the Milky Way with the naked eye. It doesn’t appear as you see it in most pictures with all the vibrant colors. It’s more of a cloudy contrast of black and gray that crosses the sky. This may be difficult to find though depending on the time of the year that you are out. The summer is the best time to get shots of the Milky Way in the northern hemisphere, from what I have read at least.
You can still find the Milky Way even if you can see it with the naked eye by using one of several apps. Sky Guide, Sky View, and Star Chart are a few that are available for most smart phones. I use an app called PhotoPills. It isn’t a free app but it will allow you to plan a trip so you aren’t trying to figure out composition at that last minute, it allows you to find where you would like to shoot and then look into the future to see where the Milky Way will be a day, week or even months in the future.
As I mentioned above, I use a 20 second exposure, ISO 3200, and an aperture of f/2.8 as a starting point. This is something I set my camera to in manual mode before the sun even goes down. Depending on the darkness of where you are shooting, your first images can be over exposed. If this happens I adjust the ISO before anything else. As you may already know, the higher the ISO, the more “noise” you get in an image. Lowering the ISO when at all possible will help in the final image.
This is one of the most important parts in my opinion. If you just want to take a picture of the milky way to see that you can do it as I did from my back yard, there isn’t much planning at all needed. But if you want to capture an image that you can show off and hang on a wall, you’re going to need a plan. Below are the things I consider before I head out the door to capture any night shots, and most of this I do a month or more ahead of time.
Location: For me, its not enough to just take a picture of the stars. I like to have a foreground that is going to make the starry night stand out. I am a big fan of the Texas State Parks so I start by finding those on the Dark Sky map to find one that is within my driving distance and will allow some interest in the shot. I also pre-scout the location. I visited Enchanted Rock State Park 2 times before my trip to find the spot I liked and plan a route to get there and back in the dark.
Timing: Its important to know when the Milky Way will be viable when planning your trip. Its best to go during the New Moon cycle. This is when there is no to little moonlight that can contaminate your shot, the beginning of the month. Also, summer is better for catching the Galactic Center of the Milky Way. This is the brightest and most colorful part that really stands out in pictures. As I mentioned earlier, I use PhotoPills to locate where the Milky Way will be on a given date so I can compose my image prior to the trip.
Weather: Keep an eye on the weather leading up to the trip. Of course you want to know if there will be bad weather so you don’t get in a bad situation out in the middle of nowhere, but this also goes for clouds. Driving for a few hours just to sit under cloudy skies can be a big downer so knowing what you’re getting into can save wasted time.
Gear: There is nothing worse than getting to where you’re going just to find that you have forgotten something. Normally I will get everything I need laid out, checked and rechecked the day before to be sure I have everything I need. It goes without saying that the camera, lenses, and tripod are all important, but that isn’t what I have forgotten in the past. Extra batteries, flashlight, water, chair, snacks… Depending on where you are going you may be there a while and its best to consider not just the equipment you will need, but your comfort while you are there and what you will need to get there. For instance, one night I got eaten alive by mosquitoes. I now take insect repellent with me every time.
The image above was taken just west of Seguin, Texas late October 2016, July 2016 / ISO 3200, 20 Seconds at f/ 2.8
There are a few other things that are really nice to have when shooting at night, but not essential.
A cable or remote shutter release. I use a Vello FreeWave Wireless Shutter Release that was purchased from Amazon.com. It allows both corded and wireless shutter release capability and I have not had any issues with it to date. Above I mentioned how important a good tripod is to have to avoid camera shake. This is in the same category but there is a workaround if you don’t have one. When the shutter is open for 20 seconds, even the smallest bump to the camera will cause a blur. That can be a slight as your finger pressing the shutter release. If you don’t have the option of a cable or remote shutter release, simply use the cameras 2 or 10 second timer. This will allow any shake that your finger can cause to reduce before the shutter opens.
A good LED flashlight, red is best. I use a Princeton Tec Vizz Headlamp that I purchased from REI. When you start your shoot in the black of night, you will probably want to re-position or move for a different shot. Obviously a flashlight is important for this. Most phones have a flashlight that will work for this. I use a head torch with a Red LED option, listed above. The red light will help you to retain your night vision so your eves don’t have to re-adjust every time the light comes on.
As silly as it sounds, something comfortable to sit on is really nice. The first time I went to the middle of nowhere under dark skies the entire shoot was about 3 hours. Waiting for the Milky Way to get in the right spot, recomposing the shot… this was 3 hours of kneeling or sitting in a sticker patch, and I surely felt it the next day. Now I take a light weight backpacking chair, the Alite Monarch Butterfly Chair that I got from REI. It ins’t the most comfortable thing but does do the job. You can use whatever you can carry to where you plan to shoot from a lawn chair to just a throw blanket to avoid dirt and thorns.
Camera Settings to Remember
Shutter Speed 20 Seconds
Focus to infinity
Noise Reduction on
Again, the camera settings above are just a guide and you will need to make adjustments depending on the conditions and your lens. The image to the right is a shot of the back of my camera just after taking the picture. It is unedited and shows what your camera can capture under dark skies. The image was taken at Enchanted Rock State Park in Texas, below is the image after it was processed in Adobe Lightroom along with another that was taken the same night.
Both images above taken at Enchanted Rock State Park, July 2016 / ISO 3200, 20 Seconds at f/ 3.5
For post-processing, I use Adobe Lightroom and Adobe Photoshot. As a disclaimer, I am not an Adobe or post-processing expert. This is an area that I am still learning and fine-tuning my skills so you may want to refer to other sources as well. I can tell from my experience, the darker the conditions were that the image was taken under, the easier the post-processing is. I have listed a few links below to YouTube tutorials that I have found helpful.
If you are considering getting into Milky Way photography I hope you have found this helpful. As I mentioned, I am still learning myself. If you are interested in learning more there are a lot of resources on the internet that can be very helpful. You may also want to find an expert in the field and ask about taking classes. My favorite camera store in Austin, Precision Camera & Video, has regular classes in many different areas of photography from beginner to advanced. If you have a camera store in your area you may reach out to them for educational opportunities.
Please feel free to contact me if you have any questions or comments. Photography has been a passion for many years and I love talking, learning and helping all thing that are involved. Have a great day and get out there with your camera. You will never get that magical image without taking the first step.
Living in New Braunfels Texas and working in Austin has a few drawbacks. What started as an hour commute and gradually creeped into 3 and a half to 4 hours in my car every day. Gotta say that part sucks.
The Long Center for the Preforming Arts
It’s not all bad though. If you look past all the traffic of one of the fastest growing cities in the nation, there are some incredible sights to see. From cityscapes and urban grit to parks and nature, Austin has it all. One of my favorite spots in Austin is the Penneybacker Bridge, or the 360 bridge to the locals. Located on the Colorado River and Loop 360 in West Austin, this little cliff offers some amazing views.
Overlooking the Pennybacker Bridge in Austin Texas
It would be a great setting for bridal or portrait photography, but I recently went for some long exposure shots of the bridge. Below is a 20 second exposure at f/22 using a Lee ND graduated filter.
Pennybacker Bridge in Austin Texas
There is a 2 tier cliff area that you can early walk up to from a parking area just off of Loop 360. It is a big hangout for Austinites looking to catch a nice sunset while they partake in some of the devils parsley, Keep Austin Weird…
Another place I really enjoyed going for a few pictures during lunch was the Texas Capital Building. Very easy to get to and free to get it, finding parking isn’t always easy or free though.
The Texas State Capital Building
Being high noon under clear sky, I decided to shoot in black and white. The building itself really is amazing and all the architectural detail really brought out some contrast from the harsh shadows. To see one of my favorite parts of the capital you have to go inside. The day I went had some pretty high tempters and with all the walking, well I got a little overheated. Just when you go in through the main entrance, past the park rangers and scanners, there is a large picture f Davie Crockett just to you right. If you need to cool off, stand just in front of it. There is a vent that blows some much needed cold air.
Texas State Capital Building Rotunda
Above is a shot of the rotunda just inside the Texas Capital Building. I took it from the 3rd floor balcony to get the angle I wanted. If you look to the upper right part of the rotunda you can see the white spiral staircase leading up. There are tours that will take you up through the staircase. I didn’t have time that day but would like to go back to see whats up there. The rotunda is pretty impressive from the ground floor as well. There are a few shots below showing what you would see looking up just as you walk in.
Texas State Capital Building Rotunda
Just southwest of Austin, in Driftwood, there is a wonderful little swimming hole called Hamilton pool. Locate just just off of 3238 is the Hamilton Pool Reserve. Bring some comfortable shoes though, theres a little hike with some elevation to deal with. But when you get to the pool, its all worth it.
Hamilton Pool Reserve
At the time I only has a 28mm and it really doesn’t do it justice. I really need to go back with a wider angle to get what I wanted. Below are a few other shots I got while there. I would recommend going early if you are going to be taking pictures. This is a popular spot for cooling off during the summer and can draw in the crowds. There are also some great walking trails along Hamilton Creek and the Predernales River.
Hamilton Pool Reserve
As I mentioned, it’s not all bad working in Austin. Great people, food and entertainment all centered around wonderful scenery. There is so much more to see that what I have posted here. The key is getting out to experience it for yourself and see it through your own lens.